克里斯·埃文斯,海莉·阿特维尔,塞巴斯蒂安·斯坦,汤米·李·琼斯,雨果·维文,多米尼克·库珀,理查德·阿米蒂奇,斯坦利·图齐,塞缪尔·杰克逊,托比·琼斯,尼尔·麦克唐纳,德里克·卢克,肯尼斯·崔,约翰·约瑟夫·菲尔德,布鲁诺·列治,莱斯·施拉普内尔,迈克尔·布兰登,娜塔莉·多默尔,威廉·霍普,尼古拉斯·平诺克,马利克·奥拉维克,大卫·布拉德利,萨姆·霍尔,西蒙·坤茨,珍娜·科尔曼,索菲·科尔库恩,道格·科克尔,本·巴特,大卫·麦凯尔,阿曼达·沃克,凯瑟琳・普雷斯,安纳托·陶布曼,恩里奇·雷德曼,萝丝楠·霍
马克·沃尔伯格,米歇尔·莫纳汉,基特·哈灵顿,佐伊·玛格丽特·科莱蒂,托马斯·福布斯·约翰逊,丹尼尔·德·博格,杰克·费尔布罗勒,凡·克罗斯比,塔拉·麦肯,劳雷尔·勒夫科,阿卜杜勒·巴西特,里达·埃拉祖阿尔,叶夫根尼奥斯·卡科利里斯,普林斯·马尔弗,艾莱妮娅·艾莫特,杰西卡·惠心·汤,蒂萨基亚·迪亚斯,西奥·布格内,伊恩·钱斯,伊桑·赫兹·德普拉托
Charlotte Chatton
何塞·马利亚·亚兹皮克,贝塔·巴斯克斯,伊里娅·德尔·里奥,Francisco Ortiz,Jesús Lloveras,Sergio Crespo,Ali Boulabiar,Mouad Ghazouan,Elena Seijo,Marta Poveda,Ana Garcia Molero,Paloma Otero,Beka Lemonjava,Alberto Ladrón de Guevara,Yuri Mykhaylychenko,Hicham Malayo,Arántzazu Ruiz,María
艾斯·库珀,塞德里克·凯尔斯,雷吉娜·赫尔,安东尼·安德森,伊芙,J·B·斯穆夫,拉蒙尼·莫里斯,西恩·帕特里克·汤玛斯,泰加,德翁·科尔,科曼,妮琪·米娜
丽芬斯塔尔
朱塞佩·托尔纳托雷
霍建起
陆川
贾尼·梅利奥
法斯宾德
丹尼·保尔
吴贻弓
宋洋,何杜娟,朱一龙,陈一诺,王艺曈,王春妹,赵家林,陈思璇,关慧卿
Aimee Auclair,Rebecca Bujko,Debra De Liso,Leigh Grace,Marek Graham,Michael Gregory,John F. Henry II,Erica Jenkins,Josh LaCount,Tim McCord,Shaun Ritter,Tom Simmons,Derek Thompson
托马斯·简,莫莉·帕克,迪兰·施密德,凯特琳·伯纳德,尼尔·麦克唐纳,坦娅·钱普,布莱恩·达西·詹姆斯,鲍勃·弗雷泽,埃里克·李塞德,皮特·纽,布鲁斯·布莱恩,格雷姆·达菲
蒂姆·布雷克·尼尔森,格伦·普拉默,Andrew Liner,凯文·考利甘
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
一个手握政府机密的AWOL海军成员正被俄国特工和一个危险的杀手追缉
故事描述了陈伟（章宇 饰）和性感美女艾菲（亦涵 饰）前往一处废弃多年的化工厂做规划设计，却意外陷入了一连串恐怖事件的故事。一路上，艾菲作为第三者，主动示爱陈伟，两人暗地里偷偷交往，而陈伟则在背叛自己的女友的情况下接受了这种行为。他们抵达化工厂后，发现这里布满了诡异的氛围：墙上刻着血字，艾菲突然消失了。陈伟意识到自己可能已经陷入了一个危险的陷阱，成为了神秘人设计的牺牲品。 陈伟与神秘人展开了搏斗，试图逃出险境。在这场斗智斗勇中，他们面临着生死攸关的局面。最终，是否能够成功逃生，成为故事的悬念。然而，即使逃脱了生理上的危机，陈伟还将面临道德和良知的拷问。他的背叛行为是否值得，他对自己和他人的所作所为是否感到内疚和后悔，这些问题也将成为他未来的挑战。
John Goodman,Jim Broadbent,Celia Imrie,Flora Newbigin,Tom Felton,Raymond Pickard,Bradley Pierce,Aden Gillett,Doon Mackichan,Mark Williams,Hugh Laurie
屈楚萧,王子文,王皓,何蓝逗,黄毅,陈庭煜,吴彦姝,牛犇,余嘉诚
三瓶由布子,菊池心,木岛隆一,竹内顺子,中村千绘,杉山纪彰,早见沙织,水树奈奈,小野贤章,森久保祥太郎,阿部敦,日野聪,高桥英则,田村由香里,增川洋一,石田彰,竹内良太,宫田幸季,武田华,浪川大辅,安元洋贵,江川央生,菊本平,河西健吾,河合海,竹内绚子,奥村翔,玄田哲章
姜大卫,傅声,戚冠军,李艺民,郭追
Sarsi Emmanuelle,Maria Isabel Lopez,Myra Manibog
林子祥,郑裕玲,张曼玉,周慧敏,关秀媚,梁佩瑚,文隽,金燕玲,许绍雄
亚历山大·斯卡斯加德,迈克尔·佩纳,西奥·詹姆斯,泰莎·汤普森,卡赖伯·兰德里·琼斯,斯黛芬妮·西格曼,大卫·威尔莫特,马尔科姆·巴雷特,保罗·雷瑟,加布里·以赛亚·阿贝塔,丽贝卡·威金斯,杰弗里·波默罗伊,基思·雅各,迪兰·科宁,理查德·比尔
克里斯·帕拉特,庞·克莱门捷夫,戴夫·巴蒂斯塔,凯文·贝肯,迈克尔·鲁克,布莱德利·库珀,范·迪塞尔,凯伦·吉兰,肖恩·古恩,玛丽亚·巴卡洛娃,Old 97's,卢克·克莱因,凯拉·塞吉维克,大卫·莫斯科维茨,史蒂芬·布莱克哈特
亚历克·鲍德温,泰伦斯·霍华德,埃塞·莫拉雷斯,妮基·韦兰,迈克尔·希罗,温斯顿·凯奇,安居尔·尼加姆,Maria Camila Giraldo,瑞玛·桑帕特,Danielle Druz
安东·叶利钦,罗宾·威廉姆斯,蒂娅·里欧妮,埃里卡·巴杜,大卫·杜楚尼,弗兰克·兰格拉,泽尔妲·威廉斯,玛吉丽·阿马蒂,奥加·索斯诺夫斯卡,奥兰多·琼斯,Bernie Sheredy,斯蒂芬·斯皮内拉,爱丽丝·德拉蒙德,哈罗德·卡蒂耶,马克·马戈利斯
斯宾塞·屈塞,伯特·兰卡斯特,理查德·威德马克,玛琳·黛德丽,马克西米连·谢尔,朱迪·加兰,蒙哥马利·克利夫特,维尔纳·克伦佩雷尔
杰西·艾森伯格,伍迪·哈里森,戴夫·弗兰科,艾拉·菲舍尔,贾斯蒂斯·史密斯,多米尼克·塞萨,阿丽亚娜·格林布拉特,裴淳华,摩根·弗里曼,马克·鲁法洛,丹尼尔·雷德克里夫,尼克·威特曼
彭愚厶,曾妮,何其炜,王怡雯,郭野,周升
丽贝卡·贝尔,安妮·伊卡宁,劳拉·比尔恩,皮霍·朗卡,Annaleena Sipilä,Janne Reinikainen,Kanerva Paunio,Bruno Baer,Liisi Tandefelt,Aron Syrjä,Petteri Pennilä,Kaupo Parve,阿图·卡普莱宁,安娜·帕维莱宁,Pinja Miettinen,艾尔莎·拉格斯泰特,Sara Paavolainen,Isabella Laaksonen,Lumi Helen Park,Olga K
Barbara Payton,James Hayter,Stephen Murray